My paintings are shaped by the places I've moved through — extended travels across India, East Asia, and Africa — and I return again and again to the textiles, architecture, graffiti, and everyday objects I’ve encountered along the way. Motifs, colors, and textures from those journeys surface with mixed media on the canvas, not as literal souvenirs but as impressions I let settle and reappear on their own terms, often interwoven with text. My training began in Visual Arts at the University of Western Sydney, where I majored in ceramics, and that grounding in form and material still informs how I build up a surface, even though clay is no longer where the work lives. I rarely embark from a fixed plan; I'd rather stumble into a theme, a technique, or an image and follow where it leads than force a piece toward a predetermined end. At the heart of my painting is a tension I return to again and again: blending whimsy with seriousness, and approaching heavy, honest subject matter with a sense of playful curiosity rather than solemnity. I want the work to feel discovered rather than dictated — evocative of a place or feeling more than a direct depiction of it. My work has been exhibited in Sydney and Melbourne, Australia; Singapore; and Boulder, Colorado, and has been recognized with multiple awards and featured in a number of publications.